Case Studies

Red
Central

Soledeveloper build of a bold, medialed Gatsby and Contentful website for Red Central, translating detailed creative designs into a responsive showcase for the studio's work.

Screenshot of the Red Central website; part of John Kavanagh's selected project work.

In Brief

Red Central is a creative agency specialising in entertainment brand licensing, with work for clients including Sony Pictures and Universal across properties such as Breaking Bad and Jurassic World. The studio needed a website that could reflect the quality of its creative work, explain its services, and give the team control over a bold, imageled online presence.

My Role

I was brought onto the project as the sole developer, working with designer Mike Etheridge after the branding, strategy, and page designs had been agreed with the client. My role was to turn those comprehensive designs into a production website, covering the Gatsby build, responsive frontend, Contentful integration, animation details, image handling, and deployment setup.

Technologies

redcentral.co.uk
  1. React
  2. TypeScript
  3. HTML5 & SCSS
  4. Gatsby & GraphQL
  5. Contentful
  6. AWS & CI
Illustrations from the Breaking Bad 10th Anniversary pack - Fleetwood Bounder with smoke coming from the roof: by Red Central.

In Detail

I have worked with designer Mike Etheridge on several successful freelance projects over the years. For Red Central, he had already developed the branding, strategy, and visual design direction before bringing me in to handle the website build.

The designs were bold, imageled, and detailheavy, so the implementation needed careful frontend judgement rather than generic template production. The work required close attention to layout, responsive behaviour, animation timing, and the handling of large visual assets.

I built the site with Gatsby, React, TypeScript, GraphQL, SCSS, and Contentful. Contentful gave Red Central control over website content and project pages, while Gatsby provided a static front end suited to the visual nature of the site. The implementation used CSS Grid and imageloading techniques to preserve the quality of the studio's work without making the site feel heavy.

Image displaying the wireframes used in developing the Red Central website.

Homepage

The homepage was designed to create an immediate, highimpact introduction to Red Central's work and personality. Sequenced CSS animations brought the hero content into view before moving through stylised descriptions of the agency, including 'Game Changing Creative' and 'The Pop Culture Geeks'. The first glimpse of the studio's work followed immediately below.

Screenshot of the Red Central website homepage, desktop screen size.Screenshot of the Red Central website homepage, mobile screen size.

Services

Red Central's services needed enough explanation for new visitors without losing the site's visual energy. An animated carousel paired service messaging with recognisable project imagery, giving the studio room to explain its offer while keeping the page imageled.

Screenshot of the Red Central website Services Carousel featuring Angry Birds characters, desktop screen size.Screenshot of the Red Central website showing a featured 'glitch text' title and their clients and Locations panels, mobile screen size.

Life at Red

Bold messaging and editable imagery run throughout the site. On the Life at Red page, the client could update the hero image through Contentful, giving the team a flexible space to present its culture and personality on its own terms.

Screenshot of the Red Central website Life at Red page, desktop screen size.Screenshot of the Red Central website Life at Red page, tablet screen size.

Work List

The Work page was fully customisable through Contentful and built around large, imageled project entries. Because imagery was central to the experience, the page needed careful optimisation and staggered fadeup loading to keep browsing smooth and consistent.

Screenshot of the Red Central website Work page featuring Stranger Things and Major League Soccer, desktop screen size.
Screenshot of the Red Central website Work page featuring Stranger Things, Major League Soccer, and Wizarding World, tablet screen size.Screenshot of the Red Central website Work page featuring Stranger Things, Major League Soccer, and Wizarding World, mobile screen size.

Project Pages

The project pages followed the same bold, imageheavy pattern as the rest of the site. Red Central could manage project imagery, copy, and page structure through Contentful, allowing the studio to add and update work without developer involvement.

Screenshot of the Red Central website Stranger Things project page, desktop screen size.Screenshot of the Red Central website Stranger Things third season project page, mobile screen size.
Screenshot of the Red Central website Jurassic World project page, tablet screen size.Screenshot of the Red Central website Breaking Bad 10th Anniversary project page, tablet screen size.

Contact Page

Red Central chose direct email addresses and telephone numbers instead of a generic contact form. That left space for a looping office video, giving the contact page more character while keeping the route to enquiry simple.

Screenshot of the Red Central website Contact Us page featuring looping video, desktop screen size.Screenshot of the Red Central website Contact Us page featuring looping video, tablet screen size.

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